This folk weaving loom for straw mats, ropes, and the like, was a common feature in rural Japanese homes. Made of heavy keyaki wood frame and base, this "mushirobata oriki" also has a roughly hewn top crosspiece with a natural curve.
H. 131cm(51.5") x W. 147cm(58") x D.(base) 46cm(18"). Late Edo to Early Meiji Era.
Wooden saddle, "kura" made of wood and iron fittings. Meiji Era (1868-1912,) but the top board is a later addition. This flat board makes it ideal for display items, especially for flowers. H. 44cm(17.25") x W.68cm(26.75") x D. 32cm(12.5").
Large Itomaki, spool, for weaving. Wood with 6 arms. Late Meiji Era (1868-1912.)
H.39cm(15.5") x Square Base of 37cm(14.5").
Good condition, has been cleaned and oiled.
Onigawara, Roof Tile End Caps, of fired clay with motifs of Daikoku's Hammer and Tama, the Buddhist Jewel of Wisdom. H. 37cm(14.5") x W.56cm(22"0 x D.11cm(4.5"). Excellent condition from Meiji Era.
The region of Ogi in west-central Japan was a well-known center of roof tile prodcution, and continues this trade today.
Hamada Shoji saku (made by Shoji Hamada,) Ryuukyuu Kamado (Okinawa Kiln,) Aka-e Chawan (Red overglaze enamel Tea Bowl,) 1972.
H. 3”(7.75cm) x Dia. 4.5”(11.5cm.) Footring diameter 2”(5cm.) Weight 13.5oz(384g.) Signed wooden box included. Okinawan motif and color palette (red, green, ochre on white background) on bowl with 9 facets around (see enlargement #2, bottom view.) Small areas of glaze loss around rim (see enlargement photos & comments below) measuring from 30mm to 2.5cm in length. M ...click for details
Kogo (Incense Container) by Kawai Takeichi; Kyoto, 1972. Dark green glaze. 2.25"(5.75cm) square x 1.75"(4cm) high. This piece was acquired on a visit to the Kawai pottery on August 9, 1972 and has had one owner since then. Kawai Takeichi (1908-1989) is the nephew of legendary Mingei (Folk Craft) Movement potter Kawai Kanjiro (1890-1966;) who along with Yanagi Soetsu, Hamada Shoji, Bernard Leach, and others were the first-generation leaders of this movement. Kawai Takeichi began his app ...click for details
Artist: Utagawa Kunisada [Toyokuni III] (1786-1864).
Subject: Yakusha-e, Kabuki actor print; Ichikawa Ichizou III as “Shibahisa?”
Signature: “Toyokuni ga” in red toshidama cartouche.
Censor Seal: “aratame” (examined), year of the cock (1861) 10th month.
Publisher: Ebi-ya Rinnosuke; address: horie-cho, ebi bayashi.
Date: 1861.
Format: oban tate-e, H.14.5 x W.9.675".
Condition: Good colors and impression, no album backing, minor back repairs to small tears on upper right corner and low ...click for details
Artist: Utagawa Kuniyoshi (1797-1861).
Subject: Yakusha-e (kabuki actor print), Iwai Tojaku (1776-1847) as Osode.
Signature: ichiyuusai Kuniyoshi-ga.
Publisher: Joushuu-ya Kinzou.
Date: ca. 1834-1843.
Censor Seal: kiwame (approved).
Format: oban tate-e, H.14.375 x W.10".
Condition: Very good colors and impression, wormage hole on upper left; small holes on lower left, top middle & right; small tear on mid-right edge of paper.
Iwai Tojaku - Iwai Hanshiro V - Iwai Kumesaburo I w ...click for details
Utagawa Kunisada [Toyokuni III] (1786-1864).
Subject: Yakusha-e, Kabuki actor print; Kawarazaki Gonjurou (stage name of Ichikawa Danjurou IX [1838-1903] from 9/1852 to 2/1869).Signature: “ki-o Toyokuni ga” in red toshidama cartouche.
Engraver Seal: Yokogawa.
Censor Seal: “aratame” (examined), year of the cock (1861) 9th month.
Publisher: Yamaguchi-ya Toubei.
Date: 1861.
Format: oban tate-e, H.13.75 x W.9".
Comments: “kirazuri” mica powder giving sheen to dark blue background on upper ...click for details
Artist: Utagawa Kuniyoshi (1798-1861).
Subject: Mitate-e; “Eikyoudai Mitate Sanjuu Boku Kuisen”
(Mirror Selections of 30 Trees & Flowers).
Signature: “ichiyuusai Kuniyoshi ga”.
Artist Seal: “kiri” (paulownia).
Nanushi Censor Seal: “watari” (Watanabe Jiemon).
Publisher: Joushuu-ya Kinzou.
Date: ca. 1843.
Format: oban tate-e, H.14.25 x W.975".
Condition: Good colors and impression, no album backing, margins trimmed, minor back repairs to pinholes in top right & left corners, ...click for details
