Catalog (116)

Fissured Jar, Wood-Fired, by George Gledhill; Payette, ID. Natural Clay, & Natural Ash Glazing caused by 3 days of Wood-firing in the fire box of George's Anagama Kiln in 2005. A large fissure had occurred in firing which turned out to be a serendipitous accident. H. 15"(38cm) x Dia. 11.5"(29cm.) The beauty of this piece is dynamic in depicting the force of the kiln fire, yet still quiet in its naturalness. It is truly a one-of-kind piece that demonstrates the spirit of Zen. It can stand alone ...

Wood-fire jar, tsubo, by George Gledhill; Payette, ID. Ash Glaze. H.9.5"(24cm) x Dia.9.5"(24cm.) Lug handles on shoulders in style of "chatsubo," tea leaf storage jar. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea war...

Woodblock Print of Traditional Japanese Folk Potteries by Serizawa Keisuke. Issued by Nihon Mingeikan (Japan Folk Craft Museum) in 1970. H. 20"(51cm) x W. 26"(66cm.) Excellent colors, light toning to paper. Printed text in Japanese. See also SK-1 in English. Keisuke Serizawa (5/13/1895 - 4/5/1984) was designated a Ningen Kokuho (National Living Treasure) in 1956 for his work in katazome stencil dyeing. He spent considerable time studying Ryuukyuu Bingata techniques in Okinawa and this influen...

Woodblock Print of Traditional Japanese Folk Potteries by Serizawa Keisuke. Issued by Nihon Mingeikan (Japan Folk Craft Museum) in 1970. H. 20"(51cm) x W. 26"(66cm.) Excellent colors, light toning to paper. Printed text in English. See also SK-2 in Japanese. Keisuke Serizawa (5/13/1895 - 4/5/1984) was designated a Ningen Kokuho (National Living Treasure) in 1956 for his work in katazome stencil dyeing. He spent considerable time studying Ryuukyuu Bingata techniques in Okinawa and this influence ...

Hotei-san (Chinese=Budai) Ceramic Sculpture by George Gledhill; Payette, ID. H. 11.25"(28.5cm) x W. 12"(30.5cm.) Hotei-san is glazed in white and sculpted in sitting meditation pose, holding his prayer beads. Hotei is known as a God of Happiness and Contentment. In Japanese folklore, Hotei-san is one of the Seven Lucky Gods (Shichifukujin.) In China, legend has it that he was an eccentric Chan (Zen) monk who lived in the early 10th C. Some Buddhist traditions consider him an incarnation of ...

Vase from Sankampaeng, North-Central Thailand, ca. 14th-16th Century. Light brown glaze with 2 lug handles inserted at the shoulders. H.5.75"(14.5cm) x Dia.4"(10cm.) Excellent condition with small, indistinguishable repair to body of unknown date. The Sankampaeng kilns were a large manufacturing center of North-Central Thailand in the 14th-16th C. The old kilns were located around On Tai Village in Chiang Mai Province. The kilns of Central, Northern, & Western Thailand were active predominat...

Mashiko ware vase with long neck coated in black glaze, and overglaze painting of camelia flowers on body, ca. 1960's. H.48cm(19") x Dia.23cm(9"). A fine example of vintage Mashiko ware that might have graced the tokonoma of a local Mashiko family home, this vase conveys an elegant shape while retaining its simple rustic background. Mashiko wares became popular through the work of National Living Treasure Hamada Shoji, who settled in this agricultural pottery town in the 1920's. Prior to Hamada'...

Wood-fired Jar, tsubo, by George Gledhill; Payette, ID. Ash glaze. H.8"(20cm) x Dia.8"(20cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to shape much ...

"Hamada Potter" by Bernard Leach. 1975 First Edition, Kodansha. Hadmade paper bound hard cover with original plastic dust cover. The book is bound with hand-laid paper from Fukui Prefecture coated with pine resin sizing. The titling on the cover and spine was silk-screened with natural Japanese lacquer by Wajima Craft, with the held of the lacquer artists Keisuke Ichinaka and Isaburou Kado. The image is Hamada's signature broken sugar cane motif which adorned so many of his pots. 305 pages with...

Wood-fired Tea Bowl, matcha chawan, by George Gledhill; Payette, ID. White Shino glaze. H.3.125"(8cm) x Dia.5.125"(13cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Cere...

"Shigaraki: Potter's Valley" by Louise Allison Cort. 1981 second printing. Clothbound hard cover with original dust jacket. Condition - New. 428 pages, 52 full color photographs and more than 300 B/W photos encompassing both the great variety of Shigaraki wares and the techniques and processes still in use today. Louise Allison Cort, formerly assistant curator of Oriental Art at the Fogg Museum, is a craft historian and the recognized Western authority on Shigaraki ware. "Louise Cort's vision...

Ao Imari (blue/green Imari) Sometsuke Kakuzara. A square blue-green Imarai Plate. ca. late 18th- early 19th C. Japan. 10.75" (27.25cm) square. Shoki Imari, using underglaze cobalt blue painting with oftentimes borrowed Chinese motifs, such as this piece, were made in the Arita kilns near the port of Imari from the 17th Century. This is also an example of fairly rare "Ao Imari," (literally "blue" Imari) with a green-blue background rather than the standard porcelain white background. The image ...

Wood-fired Tea Bowl by George Gledhill; Payette, ID. H.3"(7.5cm) x Dia.4.75"(12cm.) Shino & Ash glaze. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to s...

Wood-fired Plate, Shino & Ash Glazes, by George Gledhill; Payette, ID. H.2.375"(6cm) x Dia.14"(35.5cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to...

Wood-fired Buddha Seated in Prayer Sculpture by George Gledhill; Payette, ID. H.6.625"(16.75cm) x W.7.25"(18.5cm) x D.4"(10cm.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Te...

"Karatsu Ware: A Tradition of Diversity" by Johanna Becker, O.S.B. 1986 First Edition, Kodansha. Clothbound Hard Cover with original dust cover. Condition - New. 220 pages57 color and 179 B/W plates, illustrations, map, kiln list, and glossary. "Here, for the first time in English, a noted scholars examines this famous and important pottery and its tradition, throwing light on the diversity of Karatsu forms and glaze effects. The author traces this pottery's history from the enigma of its or...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood & gas fired with Ash Glaze interior. H. 5.75"(14.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.875"(12.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work...

Mizusashi, Fresh Water Jar used in Chanoyu, by George Gledhill; Payette, ID. Wood fired with Shino Glaze interior. H. 4.875"(12.5cm) x Dia. 7.5"(19cm.) Mouth opening 4.5"(11.5cm.) Volume = 64oz (2,000cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and ...