Yunomi, Tea Cup, Porcelain with underglaze blue painting (ami-mon, net pattern,) by Kathy Lusher; Seattle, WA. H.3"(7.5cm) x Dia.3"(7.5cm) Volume=200ml(6.75 oz.)
Kathy Lusher makes functional ceramics of an exceptional quality. The porcelain bodies and blue-green tinge to her hand-mixed glaze recipes create the ideal background to view the color Japanese green tea.
Lusher was an apprentice in Japan to well-known potter Takita Koichi, who has worked in both rural Fukushima & Tochigi Prefectures...
Wood-fired Disk-shaped Vase by George Gledhill; Payette, ID. Ash glaze exterior, white glazed interior. H.3"(7.5cm) x Dia.9.75"(25cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares...
Tea Bowl, Matcha Chawan, by Lee Love of Mashiko (& now Minnesota.) H.3.375"(8.5cm) x Dia.5.375"(13.75cm.) This Ido-gata (well-shaped) bowl of high-feldspar Shigaraki clay was wood-fired in Mashiko, Tochigi Prefecture, where Lee had completed a 3-year apprenticeship to National Living Treasure Shimaoka Tatsuzo. The impressed cord patterning on this bowl is an example of zougan-joumon (rope-impressed inlay) for which Mr. Shimaoka was granted his NLT status...
All Items : Artists : Ceramics : Pottery : Plates : Contemporary
item #1176578
(stock #HN-20, HN-21)
Triangle-shaped Dishes (2) with blue cross-hatch design, Mukozuke or dessert/salad dishes, by Hanako Nakazato; Union, Maine and Karatsu, Japan. These dishes are appropriate for most any savory or sweet food and are an excellent size for use as a mukozuke dish used in Japanese cuisine.
Hanako Nakazato is a 14th generation potter from Japan...
Hanging Vase, Kakehanaire, by George Gledhill; Payette, ID. Saggar fired with grass. H. 3.875"(8cm) x Dia. 3.25"(8.25cm.), with copper ring attached in back for hanging on a wall or post. There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates...
Vase for flowers by Sachiko Furuya; Shoreline, WA. Contemporary, H.5"(12.75cm) x Dia.3.75"(9.5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...
Flower Vase with lug handles on shoulder, by Sachiko Furuya; Honolulu, HI. Black, White, Iron glazes. H. 6.25"(16cm) x Dia. 4.75"(12cm,) Mouth opening 2.0" (5cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea...
Hanging Vase (J. kakehanaire) by Sachiko Furuya. Bamboo Ash Glaze. H.6.5"(16.5cm) X Dia.2.875"(7.25cm).
Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Iowa...
Kuro (Black) Sabi-Nagashi (dripped glaze) Kaku Bachi (Square Plate,) Mashiko-yaki, by Tagami Isamu. Mashiko-guro) (Mashiko Black) glaze with Kaki (persimmon) glaze cross pattern. H. 1.25"(3cm) x 6.5" (16.5cm) square. Small "kamakizu" (kiln scar) on side (see enlargement #4).Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko...
Round Dish with flower-shaped medallions applied to 2 sides and interior, by Sachiko Furuya; Honolulu, HI. White glazes. H. 2.25"(6cm) x Dia. 7.0"(18cm.) Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidobara Fine Arts Academy (Tokyo,) and has a Studio Art degree from Clark College in Dubuque, Io...
Tall Bowl with Notched Rim, White Shino Glaze, by Sachiko Furuya; Honolulu, HI. H. 6.0"(15.25cm) x Dia. 6.75"(17.25cm.) The torn opening on the rim gives the bowl a very organic appearance. Suitable as a vase for flowers, or as a serving bowl. Sachiko Furuya hails from Yamanashi Prefecture, Japan. There, she studied pottery with Yukio Matsuura, making primarily tea wares for practitioners of the Omotesenke School of Tea. She also attended the College of Arts at Nihon University (Tokyo,) Suidob...
Wood-fired Tea Bowl, Matcha Chawan, by John Benn; Harstine Island, WA. Black Glaze, with areas appearing ochre and gold. Three finger marks remain where the bowl was glaze-dipped. Stamped with artist's mark. H. 3.25"(8.25cm) x Dia. 5.375"(13.5cm.)
John Benn studied with F. Carleton Ball and Ken Stevens at the U. of Puget Sound in Tacoma, and with Howard Shapiro and Sandra Simon in the MFA Program at the School of the Art Institute of Chicago. In 1976, he built his first wood kiln. Now, he and...
Porcelain Double-lipped Spouted Bowl, by Hanako Nakazato; Union, Maine and Karatsu, Japan.
Hanako Nakazato is a 14th generation potter from Japan. The Nakazato family is a well-known pottery family in Karatsu, Saga Prefecture, with the 12th generation Nakazato Taroemon being designated a National Living Treasure for Karatsu ceramics. Hanako moved to the US at age 16 to pursue her education. While in the US, she took a renewed interest in her cultural roots, especially the Japanese food cultu...
Yunomi, Tea Cup, by John Miller; Portland, OR. Ash glaze with hakeme slip. H.1.375"(3.25cm) x Dia.2.5"(6.5cm.)
John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the chance to s...
Wood Fired Guinomi, Sake Cup, by George Gledhill; Payette, ID. Shino Glaze. H. 2.25"(5.75cm) x Dia. 3"(7.5cm.) Volume = 4oz (120cc.) There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of...
Wood-fired Plate, Shino & Ash Glazes, by George Gledhill; Payette, ID. H.2.375"(6cm) x Dia.14"(35.5cm.)
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to...
Matcha Chawan, Tea Bowl, by John Miller; Portland, OR. Nuka & Temmoku Glazes, White Slip. H. 3.375"(8.5cm) x Dia. 4.5"(11.5cm.)John Salgir Miller was born in Elmira, NY, in 1974 and earned his BFA in ceramics and illiustration from the Massachusetts College of Art in Boston. He has been inspired the mingei aesthetic and by the work of Shoji Hamada since he began studying ceramics in high school. While at Mass Art studying under Ben Ryterband (who spent time studying pottery in Japan,) he had the...
Wood-fired Tea Bowl by George Gledhill; Payette, ID.
H.3.125"(8cm) x Dia.4.25"(11cm.) Shino glaze.
There have been several influences to George Gledhill’s ceramic work. Buddhism has been a guiding force in life for many years, and George even visits local prisons to teach the Dharma to inmates. Through pottery and Buddhism, he was exposed to Tea practitioners who complimented his work and encouraged him to produce Tea wares. Their introduction to the world of Tea Ceremony has helped to sha...